dc.contributor.author

value: BROWER, VIRGIL W.

dc.identifier.citation

value: BROWER V. W. TECHNO-TELEPATHY & SILENT SUBVOCAL SPEECH-RECOGNITION ROBOTICS: DO ANDROIDS READ OF ELECTRIC THOUGHTS? Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 232–257.

dc.description.abstract

value:
The primary focus of this project is the silent and subvocal speech-recognition interface unveiled in
2018 as an ambulatory device wearable on the neck that detects a myoelectrical signature by electrodes
worn on the surface of the face, throat, and neck. These emerge from an alleged “intending to speak”
by the wearer silently-saying-something-to-oneself. This inner voice is believed to occur while one reads
in silence or mentally talks to oneself. The artifice does not require spoken sounds, opening the mouth,
or any explicit or external movement of the lips. The essay then considers such subvocal “speech” as a
mode of writing or saying and the interior of the mouth or oral cavity as its writing surface. It briefly
revisits discussions of telepathy to recontextualize Heidegger’s warning against enframing language
exclusively within calculative technics and physiology, which he suggests is detrimental to Mundarten
(mouth-modes of regional dialects). It closes in reconsideration of Husserl’s phenomenology of
language and meaning in Ideas as it might apply to subvocal speech-recognition interfaces. It suggests
ways by which the electrophysiology that the device detects and deciphers (as an alleged intention of a
presumed natural language unspoken vocally or aloud) might supplement Husserl’s insinuation of the
Leiblichkeit of language through a self-stamping extraction of an extension of meaning.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Horizon. Studies in Phenomenology;Volume 10; Issue 1

dc.subject

value: intention

value: meaning

value: language

value: telepathy

value: cybernetics

value: logic

value: embodiment

value: orality


dc.contributor.author

value: KIOPE, MĀRA

dc.identifier.citation

value: KIOPE M. PHENOMENOLOGY OF COGNITION IN THE CONTEXT OF MANY-SIDED HUMANISM OF STAŅISLAVS LADUSĀNS. Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 140–162.

dc.description.abstract

value:
Phenomenology contains potential that can be expanded to include the development of cognitive phenomenology
concepts. One of the most notable works in this area is related to the name of Stanislavs
Ladusāns (Staņislavs Ladusāns, 1912–1993), the famous Latvian and Brasilian philosopher. The article
will outline the key elements of S. Ladusāns’ phenomenology of cognition, showing how his many-sided
gnoseology was developed as the basis for multidimensional humanism to transform culture into
a more humane one. At first phenomenology of cognition is discussed as the ground of many-sided
humanism. The notion of many-sided or multidimensional humanism clearly affirms that human understanding
about the human itself is based on a plurality of principles. At the end of the seventies
Stanislavs Ladusāns decided to realise the philosophy-as-rigorous-science approach—a clear citation
of Husserlian idea—and to concentrate attention on the human person within the manifold relations—
providing his/her existential experience. All the system of rigorous science of many-sided humanism
should be grounded on the theory of cognition. On the basis of epistemology, Ladusāns wants to build
a unified picture of human existence, including the discoveries of many sciences and integrating them
into multidimensional humanism through philosophy. Meanwhile the phenomenology of cognition in
its final form as it is appears in the monograph Gnosiologia Pluridimensional (1992) was build up by
Stanislavs Ladusāns during many decades. One of the first most important episodes in this process was
the reinterpretation of the Thomistic concept of induction. Stanislavs Ladusāns deals with the conception
of the general critical reflection by demonstrating the judgment-formation of the mind. Ladusāns
holds that the sensual experience providing material contents of our knowledge displays certain nexuses
between forms of experience, these may be transferred onto general inductive judgements. The
second significant episode in the construction of system of the phenomenology of cognition is linked
with the concept of “doubling-of-cognition-structure” by which the religious, spiritual experience becomes
philosophically legitimate. Even in the case of religion the objective evidence comes first; it
gives an opportunity to reason to ascertain about the existence of God. Stanislavs Ladusāns places phenomenology of cognition or many-sided gnoseology at the corner-stone of his programme of cultural
regeneration. The capacity of reason is incapable for revigoration of culture—these are overestimated
or underestimated—this has to be established in a truly gnoseological investigation. In the context
of critics of culture and ideologies is presented Ladusāns’ correspondence with Welte and Heidegger,
which reveals the intensive quest for thinking about being that where characteristic of the seventies of
the last century aspiring towards the grasping of the Highest Being.

dc.subject

value: Stanislavs Ladusāns

value: many-sided gnoseology

value: Heidegger

value: Welte

value: phenomenology of cognition

value: neo-Thomism

value: knowledge structure

dc.type

value: Article

format: Adobe PDF


dc.contributor.author

value: LEKHTSIER, VITALIY

dc.identifier.citation

value: LEKHTSIER V. DIALOGIC PHENOMENOLOGY OF PAIN EXPERIENCE SAULIUS GENIUSAS THE PHENOMENOLOGY OF PAIN. Athens, Ohio: Ohio University Press, 2020 ISBN 978-0-8214-2403-2. Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 328–341.

dc.description.abstract

value:
The review focuses on Saulius Geniusas’ book, The Phenomenology of Pain. In this study, Geniusas develops
his own systematic phenomenology of the experience of pain, based primarily on the conceptual
resources of Edmund Husserl’s phenomenology. In doing so, the philosopher formulates and successfully
implements original methodological principles of “dialogical phenomenology.” Such a phenomenology
consists of, on the one hand, strict phenomenological analysis of pain based on the methods of
epoché, phenomenological reduction and eidetic variation, and on the other hand, of actual and partly
polemical inclusion of phenomenological point of view in the ongoing discussion of pain in the social
and biological sciences. The author manages to do this by supplementing his eidetic analysis of the essence
of pain experience with the method of “factual variations” and by appealing to the analytical optics
of Husserl’s late genetic phenomenology. This way the book reflects—on strictly phenomenological
grounds—numerous findings from the sociology and biology of pain. The book relies on the tradition
of phenomenological research, offers a conceptual reconstruction of the key dispute about pain that
took place in this tradition (between Franz Brentano and Carl Stump) and, in its turn, grounds the
positive sciences of pain in the direct evidence of experience itself.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Horizon. Studies in Phenomenology;Volume 10; Issue 1

dc.subject

value: phenomenology

value: eidetics

value: pain

value: intentionality

value: stratified experience

value: sensation

value: feeling


dc.contributor.author

value: VĒVERE, VELGA

dc.identifier.citation

value: VĒVERE V. RADICAL DEMAND AND SPONTANEITY IN K. E. LØGSTRUP’S PHENOMENOLOGICAL ETHICS WITH CONTINUOUS REFERENCE TO S. KIERKEGAARD. Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 123–139.

dc.description.abstract

value:
Danish philosopher and theologian Knud Ejler Løgstrup (1905–1981) was professor of ethics and philosophy
at the University of Aarhus. During his lifetime he published numerous books in phenomenology.
In the context of the current article we should mention here Norm and Spontaneity, Art and Ethics
and, the most significant, The Ethical Demand and Controverting Kierkegaard. The purpose of the
current article is research the basic notions of his ontological ethics—the ethical imperative (radical,
unspoken, one-sided and unfulfillable) and the sovereign expressions of life (trust, mercy, love, forgiveness,
open speech, etc.). If the first one regards the demand for unselfish actions of the individual,
then the second one—spontaneity and openness towards the other. In order to disclose these notions,
the article confronts Løgstrup’s interpretation with Søren Kierkegaard’s (1813–1855) ethical stance,
since the concept of sovereign expressions of life was offered to the reader in the book Controverting
Kierkegaard. Løgstrup criticizes Kierkegaard for not paying attention to the real life phenomena and
concentrating upon the solely religious self-reflection of the nuclear abstract individual. The article
consists of introduction, two parts and conclusion. The introduction sets the stage for further investigation
giving the historical background, tracing influences by the leading phenomenologists of the 20th
century (a special role here is assigned to Hans Lipps, Martin Heidegger and Frederic Gogarten). The
first part is devoted to the explication of the ethical imperative, while the second part—to the sovereign
expressions of life and human interdependence. The research is summarized in the conclusion, stressing
possibility to apply Løgstrup’s phenomenological approach in nursing and psychiatry.

dc.subject

value: Knud Ejler Løgstrup

value: Søren Kierkegaard

value: ethical demand

value: sovereign expressions of life

value: spontaneity

value: interdependence


dc.contributor.author

value: KIVLE, INETA

dc.identifier.citation

value: KIVLE I. P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0. Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 312–319.

dc.description.abstract

value:
The review provides an outline of the collective monograph The Philosophy of Rhythm: Aesthetics,
Music, Poetics, edited by Peter Cheyne, Andy Hamilton and Max Paddison, published by Oxford University
Press, 2019. Concept of rhythm is analysed from different perspectives—philosophical, musicological
and psychological. It considers a multidisciplinary approach and also includes both analytic
and continental philosophical traditions. Rhythm is viewed as a pulse that is going through various
metric structures including particular pieces of music, paintings, examples of poetry and philosophy.
Twenty eight authors from the entire world discuss rhythm and specify definitions of rhythm. They try
to give answers on crucial questions uniting experienced rhythm in philosophy and arts, thus giving an
important contribution to rhythm studies. The book is organised thematically and based on different
aspects of rhythm manifestations. The main questions of the research are as follows: How is rhythm
experienced? Does rhythm necessarily involve movement? Why rhythm is so deeply rooted in human?
How can static configurations be rhythmic? How does a rhythmic structure change from a stable pattern
to a flexible texture? All these questions concern two interwoven issues common for the volume in
general: immanence of rhythm to arts and human experience of it.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Horizon. Studies in Phenomenology;Volume 10; Issue 1

dc.subject

value: rhythm

value: movement

value: time

value: space

value: art

value: philosophy

value: multidisciplinarity

value: aesthetics

value: experience

dc.title

value: Article


dc.contributor.author

value: Denisov, Aleksander F.

dc.identifier.citation

value: Denisov A. F. 2021. Problems of commucation culture in companies operating in the Russian market. Vestnik of Saint Petersburg University. Management 20 (1): 86–107.

dc.description.abstract

value:
The article addresses the problems of communication culture in companies operating in the Russian
market and balance between effective and ineffective communications. One of the burning
issues of modern companies — regardless of the form of ownership — is ineffective communication
in the organization. Reasons that lead to ineffective communication are quite numerous —
from leadership style to communication tools used in the organization (telephone conversations,
business correspondence, meetings, orders, etc.). Conventionally there is a distinction between
the concepts of personal (personal characteristics) and the culture of organization, which largely
depends on corporate culture. Corporate culture may differ significantly due to a leadership style
and the affiliation of an organization with international or Russian business. The study considers
various parameters of communication in an organization, such as the quality of corporate
information, the level of information support, barriers to interpersonal communication, and
analyzes different forms of business communication. The article presents a theoretical review of
approaches to the research of this issue by Russian and foreign authors and gives an account of
the results of the study conducted by the author together with Kelly Services. The detailed results
of the study based on the sample of 109 employees of companies from various sectors of the
economy are accessible in the appendix to the article.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Management;Volume 20; Issue 1

dc.subject

value: communication

value: culture of communication

value: communicative competence

value: barriers of interpersonal communication


dc.contributor.author

value: Barykin, Sergey A.

value: Bulgakov, Andrei L.

dc.identifier.citation

value: Barykin S. A., Bulgakov A. L. 2021. Factors of the fintech market development in the global economy (the case of the alternative lending). Vestnik of Saint Petersburg University. Management 20 (1): 108–127.

dc.description.abstract

value:
Alternative lending is one of the largest segments of the financial technology market in the world
which is represented by online platforms specializing in organizing the lending process. The purpose
of the article is to assess the impact of key factors on the dynamics of venture capital investments
in alternative lending platforms. The objectives of this study are to define the concept of
alternative lending, build an econometric model to analyze the factors of development of alternative
lending in the world, and interpret the results from the point of view of the prospects for the
development of alternative lending. Alternative lending has been defined as a segment of the fintech
market that can be characterized as parallel financing of economic activities based on digital
platforms through the provision of syndicated loans after decentralized business models. To test
the hypotheses of the study, an econometric model was built on the analysis of 5,234 investment
transactions completed in the period from 2013 to 2019 in 35 countries of the world and included
in the CrunchBase database. According to the model, such factors as the availability of venture
capital, the number of workforce, the digital competitiveness of the economy (the factor of future
readiness), and the availability of credit information have a significant impact on the dynamics of direct and venture capital investments in alternative lending companies. The obtained results
can be considered when improving the national strategy for regulating the alternative lending
market, which is especially important for Russia, where the segment of alternative lending is at
the stage of stagnation.

dc.publisher

value: St Petersburg State University

value: fintech

value: alternative lending

value: factors for alternative lending development

value: global alternative lending


dc.contributor.author

value: Bragin, Aisen S.

dc.identifier.citation

value: Bragin A. S. 2021. University museums of the Silesian Voivodeship (Republic of Poland). The Issues of Museology, 12 (1): 68–79.

dc.description.abstract

value:
The article considers the scientific basis for the study of the activities of university museums
by Polish scientists. The main support for Polish university museums is said to be provided by
the Association of University Museums (AUM). The author analyzes its research and popularization
activities. The main purpose of the work is to study the history of the formation and
development of six university museums of the Silesian Voivodeship in the Republic of Poland:
“Museum of Geology of Deposits named after Czeslaw Poborsky at the Faculty of Mining and
Geology of the Silesian University of Technology”, “Museum of the Faculty of Geosciences of
the University of Silesia”, “Museum of Silesian Organs”, “Center for History and Traditions of
the University of Economics in Katowice”, “Museum of Technology of the Silesian University
of Technology” and the “Museum of Medicine and Pharmacy in Sosnowiec”. The author also
examines their collections and exhibitions. Theoretical research in the field of studying university
museums is considered in detail. For the analysis, scientific articles, books, brochures,
mass media materials and information on museum websites are used in order to provide a
complete picture of the historical and current state of university museums in the region. In the
process of writing the article, the author contacted several guardians and university museum
staff to clarify the dates and information provided in various sources. The work partially uses
their responses received by e-mail, with the indication of information about the source.

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

value: Republic of Poland

value: Silesian Voivodeship

value: university museum

value: history of museums

dc.type

value: Article


dc.contributor.author

value: Velitchenko, Vadim V.

dc.identifier.citation

value: Velitchenko V. V. 2021. The “living history” format as one of the most promising areas of museum development. The Issues of Museology, 12 (1): 88–93.

dc.description.abstract

value:
What is the attraction of the “living history” format in the development of a modern museum?
This article is devoted to this issue and an attempt is made to clarify the specific differences
between living history museums and classical ones, focusing on the possibility of the former
to “immerse” the visitor in the recreated cultural and historical space of a certain era. The experience
of Russian living history museums shows that by implementing new programs aimed
at interacting with visitors, museums perform not only their main function of collecting and
preserving, but also contribute to the popularization and comprehensive study of historical
and cultural heritage as well as solving educational tasks. The author of the article aims to
acquaint the reader with the most effective and popular projects to activate museum activities
in the Krasnodar territory and the Southern Urals. Master classes on various topics, traveling
exhibitions, costumed performances, quests, and, finally, festivals of historical reconstruction
are just some of the modern forms of interaction with visitors, which can serve as a basis for
developing interactive educational programs. The relevance and prospects of the immersive
format in museum activities are provided by the need to solve the problems of fostering the
cultural and historical memory among young visitors, the most popular museum audience,
and the younger generation’s interest in living history. The implementation of new forms of
interaction with the audience will help museums not only attract a wide range of visitors, but
also increase financial opportunities for development and become more competitive.

dc.language.iso

value: ru

dc.subject

value: living history

value: living history museum

value: living history lesson

value: interactive platform of living history

value: the movement of historical reconstruction


dc.contributor.author

value: Heise, Emma L.

value: Churilov, Leonid P.

value: Novitskaya, Tatiana A.

value: Yablonsky, Piotr K.

value: Haverich, Axel

dc.identifier.citation

value: Heise E. L., Churilov L. P., Novitskaya T. A., Yablonsky P. K., Haverich A. The pathogenesis of pulmonary hypertension — vessel wall ischemia as the driving force in disease initiation and progression. Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 20–36.

dc.description.abstract

value:
Surgeons are not trained to decipher the pathogenesis of diseases, which they operate on. They
are used to repair, remove, or replace defective tissues and organs. Yet, we often see typical
pathomorphological or pathophysiological phenomena, characteristic of a specific disorder
that can only be observed during surgery. Such patterns would not be recognized easily by
current imaging techniques, and their visibility would require a living organism. In modern
terminology, one could call them “surgical biomarkers”. Many disease entities, today, are still
not completely deciphered regarding initial links of their pathogenesis, despite decades of
experimental and clinical research. In such disorders, characteristically named “idiopathic”,
surgical observations may be helpful to clarify disease mechanisms, two of which we offer here
for one of these disease entities, namely pulmonary hypertension.

dc.description.sponsorship

value:
The work of L. P. Churilov and P. K. Yablonsky was supported by the grant of the Russian Federation
Government, for state support of the research conducted under the guidance of leading scientists, contract
14.W03.31.0009.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Medicine;Volume 16; Issue 1

dc.subject

value: arteria pulmonalis

value: pulmonary hypertension

value: vasa vasorum

value: vasculitis

value: autoimmunity

value: atherosclerosis


dc.contributor.author

value: Soprun, Lidiia A.

value: Mironenko, Olga V.

value: Tovanova, Anna A.

value: Obuchov, Denis A.

dc.identifier.citation

value: Mironenko O. V., Soprun L. A., Tovanova A. A., Obuchov D. A. Epidemiological and clinical features of the course of postoperative sternomediastinitis (clinical case). Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 56–73.

dc.description.abstract

value:
Health-care-related infections are becoming more relevant today. The difficulty and largely
of diagnosis increased impact of adverse effects (postoperative period, increase of bed-days,
use of irrational antibacterial therapy, use of excessive methods of disinfection) factors of the
hospital environment on the human body, contributing to the development of severe postoperative
complications, among them, sternomediastinitis occupies a special place in cardiac
surgery. The clinical case we represent clearly demonstrates the atypical flow of sternominetite
caused by the hypervirulent strain Klebsiella pneumoniae blaNDM-Type. Generally, sternomediastinitis
causes Staphylococcus epidermidis, Staphylococcus haemolyticus. Every week
the patient stays in the cardiothoracic ward of the hospital is associated with a 15 % increase
in the risk of mediastinitis development. The data indicate the need for continuous epidemiological
monitoring of the relevant microorganisms that are potential agents of nosocomial
infections. Thus, adequate diagnosis, choice of rational treatment tactics and effective antibacterial
therapy significantly improve the prognosis of the current of a given severe disease.
Early epidemiological diagnosis will help to reduce the risk of the development and spread of
hospital-acquired infections in the post-operative period.

dc.subject

value: Klebsiella pneumoniae blaNDM-Type

value: nosocomial infection

value: sternomediastinitis

value: epidemiological process

value: carbapenemaza

value: hypervirulence

dc.title

value: Article


dc.contributor.author

value: Zavyalova, Anna N.

value: Lisovskii, Oleg V.

value: Novikova, Valeriya P.

value: Yakovleva, Milena N.

value: Gostimskii, Alexandr V.

value: Tyrtova, Ludmila V.

value: Lisitsa, Ivan A.

dc.identifier.citation

value: Zavyalova A. N., Lisovskii O. V., Novikova V. P., Yakovleva M. N., Gostimskii A. V., Tyrtova L. V., Lisitsa I. A. Nutritional stereotypes of children with insulin-dependent diabetes mellitus. Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 3–12.

dc.description.abstract

value:
In most cases, type 1 diabetes mellitus is an autoimmune disease characterized by the destruction
of insulin-producing beta cells, which is the result of absolute insulin deficiency and,
therefore, treatment is associated with the administration of insulin. The therapeutic treatment
of type 1 diabetes includes the use of insulin for glycemic control, balanced nutrition and
regular physical activity. Daily insulin requirements vary depending on age, diet, self-monitoring
of blood glucose and daily routine. Obesity affects some patients with type 1 diabetes,
which increases their insulin requirements and negatively affects their metabolic control. The
type 1 diabetes diet is an essential part of the treatment program and helps to achieve glycemia
targets and avoid insulin dose difficulties. Traditionally, for sick children and their parents,
there are diet classes in the School of diabetes, but the equivalence in terms of diet and the
actual nutrition of children is not sufficiently studied. Therefore, a combination of insulin
therapy and an individual nutrition plan is necessary, which is the key to proper metabolic
control. The usual nutritional guidelines for patients with type 1 diabetes should be the same
as those for the general population.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Medicine;Volume 16; Issue 1

dc.subject

value: School of diabetes

value: diabetes mellitus

value: insulin

value: bread units

value: nutrition

value: glycemia

value: physical growth

value: metabolic control

value: body mass index


dc.contributor.author

value: Pastushenkov, Vladimir L.

value: Kuznecov, Maxim S.

value: Dvorjanchikov, Vladimir V.

value: Pastushenkov, Alexander L.

value: Gabaeva, Madina M.

dc.identifier.citation

value: Pastushenkov V. L., Kuznecov M. S., Dvorjanchikov V. V., Pastushenkov A. L., Gabaeva M. M. Mechanism of antisurdant action of triazin-indole derivative at experimental acoustic trauma. Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 13–19.

dc.description.abstract

value:
In our research performed using model of acoustic trauma at experimental animals (female
of hybrids F1 of CBA and C57BL/6 lines) influence of triazin-indole at expression level of
hypoxia induced factor (HIF) in Corti’s organ was studied at its therapy application. As a reference
drug cytoflavin was used. Investigated drug in the form of 1 % solution was introduced
into animals parenterally in dosage 5, 7, 10 mg/kg with 2 hr intervals after acoustic impact.
Injection of cytoflavin as reference drag was performed in 1.7 ml/kg dosage. Level of HIF
expression in the drug of Corti’s organ was estimated using immunohistochemical method.
It was found out that triazin-indole derivative increases HIF expression in Corti’s cells and in
neurons of spiral ganglion at acoustical traumatic impact depending on drug dosage increase.
Maximal HIF expression in Corti’s cells and in ganglions were noted at therapeutic dose of the
drug 10 mg/kg. In control group and in the group with application citoflavin in dose 1.7 ml/kg
minimal HIF expression was observed. According to obtained results of performed investigation
the authors concluded that antisurdant property of triazin-indole derivative is realized
through the influence on HIF metabolism (probably, by blockage of prolyl hydroxylase) and
enables to consider it as a target molecular during the drug application.

value: hypoxia

value: induced fator

value: acoustical trauma

value: antihypoxic drugs

value: triasin-indole

value: expression

value: laboratory animals

value: mean cytochemical coefficient

dc.type

value: Article


dc.contributor.author

value: Аntonova, Evgeniya N.

value: Akulin, Igor M.

value: Davydova, Tatiana V.

dc.identifier.citation

value: Antonova E. N., Akulin I. M., Davydova T. V. To the question of the history of the formation and development of orthopedic dental care in Russia. Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 50–55.

dc.description.abstract

value:
The article is devoted to the formation and development of orthopedic dental care in Russia.
The focus is on the analysis of the organizational aspects of the provision of orthopedic care
in general, the study of the processes of the emergence and formation of medical and social
programs in terms of the provision of orthopedic dental care. The beginning of the article is
connected with the background and history of the development of orthopedic dental care in
Russia. The emergence of the term “medical and social care” in general and in dentistry in particular
refers to the Soviet post-revolutionary period of national history. The authors analyze
aspects of the history of the formation and development of medical and social programs for
certain segments of the population, consider the quality and accessibility of orthopedic dental
care created in the Soviet health care system, the specifics of development and legal regulation
of the industry in the Soviet period. According to the authors, in the entire history of domestic
health care, mass free and generally accessible provision of complex and currently quite
expensive dental orthopedic care was implemented for the first time in the world in the Soviet
Union for the insured population of the country. However, the level of training of specialists,
the quality of materials, tools and manufactured prostheses remained low. The population of
the country did not impose high aesthetic and functional requirements for the dentures and it
also contributed to their low quality.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Medicine;Volume 16; Issue 1

dc.subject

value: dentistry

value: dental prosthetics

value: prosthetic dentistry

value: prosthetics care

value: medical and social assistance


dc.contributor.author

value: Smułczyński, Michał

dc.identifier.citation

value: Smułczyński M. Microblogging in Denmark and Poland — a contrastive analysis. Part I. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 101–125.

dc.description.abstract

value:
The anthology Microblogs global is an international study of Twitter. Fifteen researchers
examined tweets in Chinese, German, English, French, Italian, Japanese,
Dutch, Portuguese, Russian, and Spanish regarding the following linguistic phenomena:
orthography, spoken language, vocabulary, reduction, syntax, graphostylistics,
interaction and the functional aspects. The book was an inspiration for the analysis
of tweets in Danish and Polish because the two languages were not included in the
original study. Furthermore, a contrastive analysis of the Polish and Danish tweets is
included to highlight the differences in the language of the tweets. The following article
is the first part of this study. It deals with the social network and microblogging tool
Twitter, including the more technical side of microblogging. The many types of tweets
and the extensive terminology involved are thoroughly and conscientiously explained.
The contrasts regarding orthography and spoken language are analyzed whereas the
discrepancies in vocabulary, reduction, syntax, graphostylistics, interaction and the
functional aspects will be described in the second part of the study. The basis for the
description is a compilation of 640 tweets — 320 Polish and 320 Danish — from an
inhomogeneous community that posts mainly in Polish / Danish. Profiles were chosen
completely by chance and they belong to various politicians, journalists and individuals.
The study covers the period from March 30 to April 6, 2019.

dc.language.iso

value: other

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

dc.subject

value: microblog

value: Twitter

value: orthography

value: spoken language

value: contrastive analysis


dc.contributor.author

value: Bondar, Igor А.

dc.identifier.citation

value: Bondar I. The new Scandinavian zoomorphic amulet with runic inscription, through the lense of ancient germanic mythological system of the world. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 190–213.

dc.description.abstract

value:
The new rhombus-shaped cast amulet of the 10th century, made in the Borre
style by means of the openwork metalworking technique, is a unique example of the
Scandinavian jewelry tradition. The amulet originated from the region of the middle
Dniester. The amulet and graffito are unique and they have no direct known analogies.
This article is devoted to the study of semiotics and semantics of a zoomorphic
pendant and elements of its image. The study carried out a structural-semantic analysis
of the composition and individual elements of ornament through the paradigm of
cosmological and cosmogonic representations of the ancient Germans. The work used
the comparative method as well as a wide range of archaeological and literary sources.
The picture stones and runic stones, Hogback stones, objects of material culture
of the ancient Germans, results of comprehensive archaeological research, Old Norse
songs about the gods and heroes of the “Younger Edda”, a set of Scandinavian sagas,
Icelandic Viking sagas about Old Rus’ and materials from written sources of the XI–
XIII Centuries were examined in detail and compared. The novelty of the research lies
not only in the uniqueness of the new early medieval Scandinavian amulet, but also in
the comparison and study of the object through the lens of the literary heritage of German-
Scandinavian mythology. This approach was first applied in the detailed study of
the “Gnezdovo-type” pendants. The methodological approach of the research and the
historical-typological and semantic-semiotic analysis led to a scientific interpretation
of the depicted story of the amulet within the context of the ancient Germanic mythological
system and cosmogony.

dc.language.iso

value: ru

dc.publisher

value: St Petersburg State University

dc.subject

value: Alcedar

value: the Middle Dniester

value: Scandinavian jewelry traditions

value: “Gnezdovo-type” zoomorphic pendants

value: graffito

value: the “Younger Edda”

value: mythological song and sagas

value: semantic interpretation

value: mythological model of the world

dc.title

value: Article


dc.contributor.author

value: Szubert, Andrzej

dc.identifier.citation

value: Szubert A. I dette åbenbaringens lys — an example of word formation, incongruency, or maybe something completely different? Scandinavian Philology, 2021, vol. 19, issue 1, pp. 126–138.

dc.description.abstract

value:
The article concerns constructions such as et herrens år in Danish where the first
of the nouns is in the definite form (with a suffixed definite article), in the genitive case and functions as an attribute and not a determiner in relation to the following noun.
The determiner (a definite or indefinite article, demonstrative pronoun, etc.), on the
other hand, is not linked directly to the following noun but to the one that occurs in
the last position of the whole phrase. This stands in contrast to the regular structure of
the noun phrase where the determiner refers to the directly following noun (e.g., en
bils ejer). In the case of the construction discussed here, however, the determiner refers
to the last noun in the phrase (e.g., dette herrens år). Moreover, adjectives can occur
before both nouns, but they will always refer to the last noun (e.g., en vældig kræfternes
udfoldelse). The work discusses both the grammatical and semantical aspects of the
construction. As demonstrated in the article, the construction should not be treated
from the perspective of word formation, as it is rather an example of an attributive use
of a definite noun in the genitive. Secondly, it is also interesting to point out that the
semantic relations within the construction do not fully overlap with the grammatical
relations, as from the semantic point of view the determiner, the adjectives, as well as
the attributive noun, refer to the main noun. Thirdly, and most importantly, there are
strong indications that here we are not dealing with just a few rare examples of a more
literary style or certain fixed expressions, but with a regular grammatical construction.
To conclude with certainty, however, it is necessary to complement this exploratory
research with a corpus study, and preferably also a survey that could reveal the native
speakers’ perception of the construction.

dc.language.iso

value: other

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

dc.subject

value: noun phrase

value: genitive

value: definiteness

value: syntactic construction

value: Danish grammar


dc.contributor.author

value: Karpiński, Jacek

dc.identifier.citation

value: Karpiński J. The language of Dutch indoor cycling instructors. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 30–41.

dc.description.abstract

value:
Sports, physical fitness and good health are important to most people across the
world. For this reason, fitness centres are constantly growing and offering their customers
a wide range of different activities (e. g., strength training, personal training
or group classes). One of the most popular forms of fitness for years has been indoor
cycling — a group class on stationary bikes to the rhythm of stimulating music. A charismatic
trainer is of course a part of it. This article focuses on the specific language
of Dutch indoor cycling instructors used in contact with their clients. The research
is based on the participant observation of Spinning® classes in Dutch fitness centres
between June 2019 and March 2020 and is supported with my own experience as an
indoor cycling instructor. Already at first sight, some characteristics are noticeable that
make this language special, such as specific pronunciations and intonations, vocabulary,
certain morphosyntactic features or the use of affirmation and visualization. Language
seems to be an important tool to ensure the balance between body and mind.
Moreover, language is seen as part of the whole philosophy of Spinning®, which confirms
the words of Johnny G., the creator of this programme: “Spinning® has always
shone a bright light in the health and fitness community. Not because riding a stationary
bike is such a trick, but because of its language”.

dc.publisher

value: St Petersburg State University

value: Dutch language

value: indoor cycling

value: Spinning®

value: language for special purposes

value: language of instructors

value: visualization

value: affirmation


dc.contributor.author

value: Jørgensen, Aage

dc.identifier.citation

value: Jørgensen A. Word and truth — a look at Johannes V. Jensen’s journalism. Part 1. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 139–163.

dc.description.abstract

value:
Since the establishment of the Johannes V. Jensen Centre at Aarhus University in
1993, studies of the Nobel Prize winner have shifted from the biographical to the textual.
At the same time, the publication especially of early works with critical commentary has intensified. The present article traces some themes throughout a half-century of
Jensen’s journalism which was first assembled in book form in 2014 under the title
Word and Truth. The material brings more nuance to impressions of the poet’s opinions
and positions, also because the anthologizing of his journalistic works has until now
and for good reason skimmed only the cream. Now the dregs are considered as well,
and even this portion of Jensen’s work impresses with its linguistically seductive energy
and fascinating images. Most of the articles Jensen himself agreed to have reprinted
and they were included in the so-called mythic volumes. Jensen regarded myth as a
special genre, his own reply in all modesty to what H. C. Andersen had done for the
fairy tale. Jensen’s journalism spans also biographically from the poet’s native soil in
Jutland to distant parts of the world, with the capital as well as rural Tisvilde as important
stops along the way. The poet’s efforts to protect nature and the implied archeological
interests (not only in a Danish context) are reflected in a number of articles. Just
as meaningful, but modernity-oriented, is an enthusiasm for technical development,
machinery, traffic on land, sea and air. Life’s origins and the development of the species
are viewed in a Darwinist perspective. The present article’s second part deals with
Jensen’s tradition-bound understanding of the relationship between the sexes and, in
that connection, with his fear of “sexual confusion” often mentioned, most painfully in
the 1907 intimidation of his colleague Herman Bang. Finally, attention is given to the
part of Jensen’s journalism which portrays his own travels and his writings on others’
contributions to the genre of travel literature.

dc.language.iso

value: other

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

value: Johannes V. Jensen

value: journalism

value: evolutionary theory

value: travel literature

value: women’s studies

dc.type

value: Article


dc.contributor.author

value: Toporova, Tatyana

dc.identifier.citation

value: Toporova T. On the mythological songs of the “Elder Edda” as a system. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 71–84.

dc.description.abstract

value:
This article is a systemic linguistic and stylistic analysis of the corpus of mythological
songs of the “Elder Edda” in a wide cultural and historical context: folklore,
ritual, literary. This approach made it possible to propose an interpretation of the
mythological songs of the “Elder Edda” as a system and take a fresh look at their
semantics, composition, structure, style and lexical organization. The most relevant
results of the study of the linguistic and stylistic features of the Eddic songs of the
mythological cycle can be considered the definition of linguo-stylistic features of various
genre structures in their composition, the explanation of their coexistence, the
identification of their source and the building of a hierarchy of mythological songs
of the “Elder Edda” depending on the degree of representation in them of various
genres. For the first time, the study of the mechanism of cultural dynamics makes
it possible to use genres, plot, structure, images, motives of the Eddic text in the
reconstruction of the mythopoetic model of the world. The author singles out the
most representative genres (tula, cosmological and epistemological song, vision,
memory, conspiracy, competition in wisdom, travel, afterlife poetry) and markers
(the time of creation, the substance that served as material for the creation of the universe, subjects and objects of creation), allowing to evaluate their productivity
and give a comparative description. On the basis of a detailed linguostylistic analysis
of the mythological cycle of the “Elder Edda”, a different degree of closeness between
mythological songs is established and their plot-genre classification is proposed. The
author’s scientific hypothesis consists in the assumption of the deduction of linguostylistic
methods of the Eddic cycle from the mythological situation of primordial
creation, the dominance of the sacred sphere, which determines the strategy of the
characters’ behavior and the results of their activities, anthropocentric orientation,
which is expressed in the description of cosmogenesis in genealogical terms.

dc.language.iso

value: ru

dc.publisher

value: St Petersburg State University

dc.subject

value: the “Elder Edda”

value: mythological song

value: Old Icelandic language

value: semantic interpretation

value: linguostylistics

value: genre

value: mythopoietic model of the world


dc.contributor.author

value: Nikulicheva, Dina

dc.identifier.citation

value: Nikulicheva D. Quasi-synonymy of Danish causal conjunctions from the speaker’s perspective. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 42–60.

dc.description.abstract

value:
The article explores a fragment of the grammatical system of the Danish language,
which represents a regular formal variation of auxiliary language markers — causal
conjunctions fordi, for, eftersom, thi. The functional and pragmatic description of each
of them is proposed based on the anthropocentric approach. This approach is aimed
at studying the linguistic expression of the speaker’s orientation in denotative reality
and communication. In terms of expressing causation, this presupposes differentiation
of ways to substantiate the speaker’s assertion, depending on different sources of
causation: the speaker’s own inference (for); appeal to knowledge, common to all
participants in communication (thi); justifying one objective fact with another (fordi),
justifying the speaker’s own inference with an objective fact (eftersom). The etymology
of conjunctions, as well as the temporal correlation of the predicates in causal and main
clauses, allows us to determine the reasons for the speaker to organize the mental space
of causation in different ways. In addition, the use of the conceptual blending concept
allows us to explain why one conjunction is replaced by another in oral speech.

dc.description.sponsorship

value:
With support from the Russian Foundation for Fundamental Research (RFFR),
grant no. 19-012-00146.

dc.language.iso

value: en

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

dc.subject

value: Danish language

value: anthropocentric approach

value: causal conjunctions

value: quasisynonymy

value: causal and main clause

value: sources of causation

value: mental space of causation


dc.contributor.author

value: Grave, Jaap

value: Vekshina, Ekaterina

dc.identifier.citation

value: Grave J., Vekshina E. Max Havelaar by Multatuli in Russia: The origins of translations. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 176–189.

dc.description.abstract

value:
This article is dedicated to the Russian translations of the Dutch novel Max Havelaar
or the coffee auctions of the Nederlandsche Handelmaatschappy (1860) by Eduard
Douwes Dekker (1820–1887), who published his work under the pseudonym Multatuli.
Max Havelaar is one of the best known and most translated works of Dutch
literature. There are six complete Russian translations published between 1916 and
1959, which have not yet been analyzed. The authors hypothesize that German is the
intermediate language in the Dutch-Russian literary transfer as research has shown
that German often served as an intermediate language for translations into Scandinavian
and Slavic languages during this period. In the specific case of Max Havelaar,
the German translation by Wilhelm Spohr, who moved in circles of anarchists, served
as an intermediate text. The authors also investigated whether the Russian translators
used the English translation of 1868, but this was not the case. In the first part of this
article, the biographies of the Russian translators, authors of forewords and editors who
worked on the Russian translations are examined. In the second part, excerpts from the
novel are compared with the translations to analyze the relationship between the texts.
The results of the research confirm that the first Russian translations were based on
Karl Mischke’s German translation, which had appeared almost simultaneously with
Spohr’s. Traces of this translation can also be found in later texts. To the authors’ knowledge,
it has not been shown before that Mischke’s translation and not Spohr’s was used
as an intermediate text.

dc.language.iso

value: other

dc.publisher

value: St Petersburg State University

dc.subject

value: Dutch literature

value: Multatuli

value: Max Havelaar

value: Russian translations

value: German as intermediate language

dc.title

value: Article


dc.contributor.author

value: Ekrogulskaya, Alexandra

dc.identifier.citation

value: Ekrogulskaya A. Linguistic aspect of Søren Kierkegaard’s “Indirect communication” with continual reference to romantic irony. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 85–100.

dc.description.abstract

value:
The subject of this article is the language of Danish philosopher Søren Kierkegaard.
The article presents a classification (based on the material of the treatise Repetition) of
rhetorical devices specific for this author. This classification relies on the thesis that
Romanticism was the cultural and historical context of Kierkegaard’s background
which influenced his language and style, and that Kierkegaard’s method of indirect
communication became in a certain sense a legacy of romantic irony defined by Friedrich
Schlegel as “the form of paradox”. Categorizing Kierkegaard as a descendant of
Romanticism makes it possible to classify his main stylistic techniques under the term
“contradiction”, which means a conscious and even intentional use of different stylistic
and conceptual oppositions in the collision of which the author’s thought is revealed.
Three types of contradictions can be distinguished in the text of Repetition. (1) The
first one is intertextual contradiction between two works. Publishing his books under
different pseudonyms, Kierkegaard creates such a situation as though two authors argue
with each other. (2) The second one is conceptual contradiction within one work.
Kierkegaard confronts in the treatise two opposite characters and two opposite concepts
of repetition. (3) And the last type of contradiction are linguistic contradictions
consisting of all the stylistic devices that Kierkegaard uses to activate his method of
indirect communication and which can be defined as “wordplay” in the most general
sense: as playful and witty use of words. Kierkegaard uses puns, different figures of repetition
and parallelism, and these stylistic devices take form of contradiction in order
to express the fundamental contradictory of life in an ironic and witty form. In such a
“struggle” of oppositions, not only an ironic intonation is created, but also the meaning
of concepts is revealed in their true-life fullness.

dc.language.iso

value: en

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

dc.subject

value: Danish language

value: Søren Kierkegaard

value: philosophy

value: indirect communication

value: romantic irony

value: wordplay


dc.contributor.author

value: Piotrovsky, Dmitry

dc.identifier.citation

value: Piotrovsky D. The theme in oral poetry as exemplified by the Faroese Ragnars Táttur. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 61–70.

dc.description.abstract

value:
The theme as well as the formula is one of two basic elements of Parry and Lord’s
theory. A. B. Lord defines the “themes” of oral poetry as “the groups of ideas regularly
used in telling a tale in the formulaic style of traditional song”. The theme happens to be
a bilateral unit having both the plane of content and the plane of expression. The presence
of the plane of content is self-evident and axiomatic. The theme in oral Faroese
poetry possesses also the plane of expression. The proof of this statement is the fact that
the realization of the same theme or some similar themes in different ballads or within
the same piece of oral poetry presupposes the use of the same units of the lower level
i.e., formulas and repetitions. The theme is a bilateral unit having its proper position in
the unit system of the poetic language. It boasts its own level status. From the point of
view of the level structure, the theme occupies the medium place between the formulas
and the whole text. The interaction of the theme and both neighboring levels may be
described as whole-part relationship. To the means of formula technique, formulas and
repetitions, the theme behaves as the whole; to the text it plays the role of a part. Such
a hierarchical structure creates the effect that the features of some units within this
system influence the features of other units.

dc.publisher

value: St Petersburg State University

value: theme

value: oral poetry

value: Faroese ballads

value: formula

value: formula technique


dc.contributor.author

value: Khartanovich, Margarita F.

value: Khartanovich, Maria V.

dc.identifier.citation

value: Khartanovich M. F., Khartanovich M. V. 2021. Museum of Classical Archeology of the 19th-century Imperial Academy of Sciences: The history of organizing and transferring collections to the Imperial Hermitage. The Issues of Museology 12 (1): 13–27.

dc.description.abstract

value:
The Museum of Classical Archeology of the Imperial Academy of Sciences is the successor to
the 18th-century Kunstkamera of the Academy of Sciences in term of collections of classical
antiquities. This article discusses in detail the stages of development of the Museum of Classical
Archaeology as an institution within the structure of the Academy of Sciences through the
Cabinet of Medals and Rarities, Numismatic Museum, and the Museum of Classical Archaeology.
The fund of the museum consisted of ancient Greek and Roman coins, ancient Russian
coins, coins from oriental cultures, ancient Greek vases, antiquities from ornamental stone,
glass, precious metals, impressions of medals and coins, items from archaeological excavations
and treasures, manuscripts, drawings of objects and photographs. Special attention is paid to
the correlation of the possibilities of museum collections of the Academy of Sciences and the
Imperial Hermitage in terms of storage, exhibition, research, and promotion of archaeological
collections in the second half of the 19th century. The reasons for the very active transfer of
the Academy of Sciences’ archaeological collections to the Hermitage in the 19th century and
the types of compensation received by the Academy for the collections are discussed. The first
archaeological collections donated from the Academy of Sciences to the Hermitage on the
initiative of the chairman of the Imperial Archaeological Commission S. G. Stroganov were
the “Siberian collection” of Peter I and the Melgunov treasure. The collection of the Museum
of Classical Archeology also attracted the attention of art critic I. V. Tsvetaev when arranging
funds for the new Museum of Fine Arts at Moscow University. The article introduces into
scientific circulation archival documents, showing the state of the museum work in the 19th
century in the institution of the Academy of Sciences, documents depicting the structure of
the Museum of Classical Archaeology, and the composition of collections.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

value: Museum of Classical Archeology

value: Imperial Academy of Sciences

value: Hermitage

value: Kunstkamera

value: archeological collections

dc.type

value: Article


dc.contributor.author

value: Kusraeva, Olga A.

dc.identifier.citation

value: Kusraeva O. A. 2021. Nation brand and competitiveness of companies: Alternative approach to nation branding. Vestnik of Saint Petersburg University. Management 20 (1): 30–57.

dc.description.abstract

value:
The purpose of this study is to identify factors by which the nation brand builds a competitive advantage
for various activities implemented in the country and to develop an alternative approach
to nation branding, which allows to increase the competitiveness of companies operating in the
country. The analysis of the previous research reveals that the nation brand image is formed by
nation branding, which is aimed to communicate the nation brand identity. It is also determined
that during the implementation of nation branding, three types of gaps can take place between
nation brand image and identity and prevent the formation of competitive advantages. The research
intended to identify the factors that form competitive advantages through the nation
branding was performed in two steps: first, the analysis of the main approaches to nation branding
on what forms a competitive advantage and then the identification of the factors based on
the analysis of the functions and goals of nation branding. In addition to political, socio-cultural,
and geographical factors, the research reveals the following factors: communication, uniqueness,
relevance, management, and brand unity. With consideration to identified factors and the information
about gaps, there was developed an alternative approach to nation branding with the goal
to enhance the competitiveness of companies operating in the country. 11 characteristics underlying
the alternative approach were defined. The significant role of the national priorities of the
country in the formation of the nation brand is emphasized. In the framework of an alternative
approach, nation brand education is marked as a key task of nation branding. The team which is
responsible for nation branding will trains representatives of different fields of the state activities
how to use the nation brand in order to enhance competitiveness.

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Management;Volume 20; Issue 1

dc.subject

value: nation brand

value: nation branding

value: competitive advantage

value: competitiveness factors

value: nation brand image

value: nation brand identity


dc.contributor.author

value: Qafarova, Gunay N.

value: Mirseyibli, Sadi A.

dc.identifier.citation

value: Qafarova G. N., Mirseyibli S. A. 2021. The fate of museums and historical monuments of Karabakh. The Issues of Museology, 12 (1): 131–145.

dc.description.abstract

value:
The article presents a brief history of relations between the Armenian and Azerbaijani population
of Karabakh and provides a concise chronological sequence of the resettlement of Armenians.
It focuses on the consequences of the conflict that lasted for 30 years. As a result of the
conflict, cultural heritage sites were destroyed on the territory of the unrecognized Nagorno-
Karabakh Republic and millions of residents lost their homes when they were evicted from
their ancestral lands. The investigated events brought a significant amount of troubles and
sufferings to the Azerbaijani people, the number of its victims is estimated in the thousands.
The Khojaly tragedy went down in history as the cruelest massacre of the civilian population.
The military clash affected not only the population, but also the cultural heritage of the Azerbaijani
people. Karabakh was the birthplace of many leading figures of Azerbaijani culture,
such as Uzeyir Hajibeyli (Hajibeyov), Bulbul, Rashid Behbudov and others. Before joining the
Russian Empire, these territories were part of the Karabakh Khanate and its main city was the
impenetrable fortress of Shusha, the main population of which was Azerbaijanis. However,
after joining Russia, Armenians from Iran, Turkey, and Syria began to move to these territories.
After the creation of the Azerbaijan Soviet Socialist Republic, this region was preserved
in its structure under the name of the Nagorno — Karabakh Autonomous Region, which later
became a bone of contention between the two peoples. Emphasis in the article is given to
museums and historical monuments destroyed as a result of the conflict. On the basis of facts,
the authors trace the milestones of the destruction of the Azerbaijani cultural heritage — archaeological
sites, museums, mausoleums, mosques, and churches. Ancient Albanian temples
underwent armenization. Attention is drawn to the facts of violation of international conventions
and normative legal acts on the preservation of cultural heritage.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

dc.subject

value: museum

value: Karabakh

value: Shusha

value: Bul Bul

value: Natavan

value: Uzeyir Hajibeyov

value: Vagif

value: Bread Museum

value: Shahbulag

value: monuments

value: UNESCO

value: ICOM

value: ISESCO

value: TURKSOY


title: The ideal essence of a museum object

dc.contributor.author

value: Gerasimov, Grigoriy I.

dc.identifier.citation

value: Gerasimov G. I. 2021. The ideal essence of a museum object. The Issues of Museology, 12 (1): 116–130.

dc.description.abstract

value:
The article examines the museum object from the theoretical and methodological positions
of the idealistic approach, placing the Human Creator at the center of culture and history. The
museum object is characterized as a substance of nature from the theoretical point of view.
Also, it is designed in accordance with the ideological content of human consciousness and
having value from the point of view of the main ideas of society’s worldview. An explanation
of the phenomenon of information of a museum object is provided in the article. The process
of endowing a museum object with such a specific property as museum character is substantiated
and the procedure for its creation is described. At the same time, it is indicated that
the main properties of a museum object are not immanent, but they are instilled in it by the
consciousness of a museum worker and a visitor. The value of a museum object is determined
by the ideas of the dominant worldview; when it changes, the value of the museum object also
changes. The degree of expression of the main properties of a museum object such as expressiveness,
attractiveness, and associativity also depend on the ideas of the current worldview.
Original objects that sufficiently express the main content of the subject are of the greatest
value. From the authors’ positions, criticism of views on the most important properties of a
museum object is made. From the standpoint of an idealistic approach, a definition of authenticity
of a museum object is provided and the particular importance of authentic objects in
the current time of multimedia and interactive technologies being introduced into museum
practices is emphasized. The article concludes that the idealistic approach, offering a solution
to many problems in relation to a museum object, nevertheless, is not at the moment an
all-encompassing theory that can explain it in all manifestations of creation and functioning.
However, according to the author, in comparison with other theories the idealistic approach is
able to give more answers to questions in this area than other museological concepts.

dc.publisher

value: St Petersburg State University

dc.subject

value: museum object

value: museum quality

value: idealistic approach

value: authenticity

value: original

value: information

value: ideas

value: consciousness

value: worldview

dc.title

value: The ideal essence of a museum object

value: Article


dc.contributor.author

value: Data-Bukowska, Ewa

dc.identifier.citation

value: Data-Bukowska E. Literal translation in the light of the gravitational pull hypothesis: The case of sentence-initial indefinite noun phrases in singular in Norwegian-to-German and German-to-Norwegian translation. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 5–29.

dc.description.abstract

value:
The present article reports on a study of renditions of sentence-initial indefinite
noun phrases (NPs) in singular in Norwegian-to-German and German-to-Norwegian
parallel corpus data. It briefly describes the correspondences to such NPs and the translation-
induced changes that are made in the structure of the sentences including the
phrase. In particular, however, the study focuses on fully congruent correspondences
to singular sentence-initial indefinite NPs, i. e., the instances in which the structure is
formally copied in translational renditions. Finding out to what extent such sentence
initials are preserved in translation allows us to verify the hypothesis about literal translation
that pertains to a potential (yet somehow forgotten) translation universal. By referring
the conducted study to the framework of the current version of the gravitational
pull hypothesis by Sandra Halverson, it becomes possible to position the phenomenon
of literal translation in the context of the latest research into bilingual cognition and
to find common ground where more traditional contrastive linguistics and translation
studies may meet. The analysis generally supports the literal translation hypothesis as
the NPs under investigation (classified as highly salient linguistic structures) have been
translated into German and Norwegian literally in over 70 %. Thus, the gravitational pull of the source text structures on the target language is of similar strength. On the
other hand, it has been observed that Norwegian is more resistant to using sentence-initial
indefinite NPs than German, or that German applies this way of content construal
more willingly. In a broader perspective, the research results shed new light on the extent
to which the linguistic patterns of the use of the indefinite article in a real text production
are similar and entrenched in a bilingual’s Norwegian/German representation.

dc.language.iso

value: en

dc.relation.ispartofseries

value: Scandinavian Philology;Volume 19; Issue 1

dc.subject

value: literal translation

value: gravitational pull hypothesis

value: translation universals

value: correspondence

value: indefinite article


dc.contributor.author

value: Orlova, Gayane

dc.identifier.citation

value: Orlova G. “&” — “Or” — “If ” — “Then” (“&” — “Eller” — “Hvis” — “Så”) by Solvej Balle: Identifying genre. Scandinavian Philology, 2021, vol. 19, issue 1, pp. 164–175.

dc.description.abstract

value:
The aim of this article is to contribute to a deeper understanding of Danish minimalism
by performing a genre analysis of Solvej Balle’s four short prose books (brief
fictional prose) — “&”, “Or”, “If ” and “Then” — written over a 23-year period, between
1990 and 2013. The four texts are connected by a commonality of motifs and thematic
elements, identical form and linguistic structure and therefore they comprise a rather
unusual tetralogy. Balle’s texts are viewed in the context of the development of Danish
literature of that period with an emphasis on minimalist aesthetics and their origins.
Balle belongs to a generation of writers associated with the flourishing of minimalism
in Danish literature at the end of the 20th century. The characteristic features of her few
works are their intellectual elitism and elaborate, sophisticated form. All of her works
are experimental, but the four texts of the “tetralogy” are the quintessence of a genre
experiment in search of a new minimal aesthetic. The article deals with the characteristic
features of the formal organisation of the four books, including their linguistic
structure that indicate the cross-genre nature of Balle’s texts and allow to identify them
as a hybrid of a pointillist novel and a prose poem.

dc.publisher

value: St Petersburg State University

value: contemporary Danish literature

value: Solvej Balle

value: minimalism

value: pointillist novel

value: genre experiment

value: lyric prose

value: prose poem

value: fragmentation


dc.contributor.author

value: Kusraeva, O. A.

value: Rebiazina, V. A.

dc.identifier.citation

value: Kusraeva O. A., Rebiazina V. A. 2021. Companies’ competitiveness in the context of food embargo: Brand orientation of Russian food producers. Russian Management Journal 19 (1): 67–96.

dc.description.abstract

value:
In this paper, based on an empirical study of 198 Russian companies-food producers, an attempt
is made to identify the features of brand orientation realization in the context of the food embargo.
The data was collected using a questionnaire based on a brand orientation scale, developed
under the circumstances of the Russian market features. The data collected are analyzed using
hierarchical and non-hierarchical cluster analysis. As a result of the cluster analysis, a typology
of Russian companies-food producers is formed, four clusters are identified, differing in
the level of brand orientation and the specifics of brand management activities: 1. high brand
orientation, 2. medium brand orientation focused on communication, 3. low brand orientation
focused on research, 4. no brand orientation. Each cluster is described by eight parameters that
reflect the characteristics of brand management: the focus of the company's brand management
activities, brand identity, employees, positioning, brand values, communications, visual identification,
and performance evaluation. For each cluster, the features and limitations are identified,
which determines the behavior of the companies in the Russian market. The article also
defines the marketing features of the Russian food market caused by the introduction of the
food embargo, reveals a change in the structure of foreign food suppliers to Russia, as well as
a change in the level of competition among companies operating in the Russian market. In addition,
the results of the cluster analysis were compared with the data of the TGI Marketing
Index, which revealed the correlation between the indicators of brand effectiveness and the
level of brand orientation implementation.

dc.description.sponsorship

value:
This research has been conducted within the applied research project “Development of Multifactor Model
to Improve Innovative Companies Competitiveness in the Digital Transformation Age" as a part of the HSE
Faculty of Business and Management Research Program (protocol No.5, 19.06.2020) in 2020–2021.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: Russian Management Journal;Volume 19; Issue 1

value: brand orientation

value: Russian food embargo

value: companies-food producers

value: cluster analysis

dc.type

value: Article


dc.contributor.author

value: Ochkovskaya, Marina S.

value: Mkhitaryan, Sergey V.

value: Indichekova, Ekaterina P.

dc.identifier.citation

value: Ochkovskaya M. S., Mkhitaryan S. V., Indichekova E. P. 2021. Influence of collaborations with visual art on luxury brand identity: Pilot study. Vestnik of Saint Petersburg University. Management 20 (1): 3–29.

dc.description.abstract

value:
The article examines the collaborations of luxury brands with visual arts and its impact on the ingredients
of brand identity using the example of Louis Vuitton. The purpose of this research is to
investigate the impact of collaborations with visual art on luxury brand identity and find out what
elements of identity are enhanced by collaborations. An online survey was conducted among
luxury brand consumers. Both closed and open questions were included in the questionnaire.
Totally 443 responses were received, and 295 of them were included in a representative sample of
the study. The Louis Vuitton brand which systematically uses the collaborations with visual art
and is one of the leaders in the application of brand artification was selected for this study. In the
paper the main attention is focused on the Louis Vuitton products from the limited collections
with the designs created in collaboration with the Japanese artists Takashi Murakami and Yayoi Kusama, and the American artist Jeff Koons. The modification in the Louis Vuitton brand identity
caused by the collaborations was estimated on the basis of the Kapferer’s brand identity prism
elements: physique, personality, culture, relationship, self-image, reflection. In accordance with
the Kapferer’s brand identity prism, six hypotheses were formulated where three of them were
fully confirmed and one hypothesis is partially verified. The research has demonstrated that the
art collaborations with visual art enhance the intangible elements of the luxury brand identity —
personality, culture and relationships but do not augment physique and self-image. This study
has shown a partial impact of visual art collaboration on the luxury brand identity, however, the
authors have not estimated the influence of other forms of art, for example, music. The impact of
the other forms of arts may be considered in further research.

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Management;Volume 20; Issue 1

dc.subject

value: collaboration with art

value: artification

value: identity

value: luxury brand

value: visual art

value: emotional value


dc.contributor.author

value: Huzhalouski, Alexander A.

dc.identifier.citation

value: Huzhalouski А. A. 2021. Museums of the Soviet Belarus during the Khrushchev’s ‘Thaw’ (1953–1968). The Issues of Museology 12 (1): 35–47.

dc.description.abstract

value:
The historical perspective allows us to take a fresh look at a complex and contradictory period
in the development of museum affairs in the USSR, which entered into historiography under the name of Khrushchev’s ‘thaw’. Using archival sources that are part of the Ministry of
Culture of the Byelorussian SSR record, published statistical data, as well as periodicals, the
article attempts to show the growth of the museum network in the BSSR and trace the process
of its profile differentiation and museum branch development during this period. Using the
specified source base, an analysis of state policy and public initiatives in the field of museum
work was carried out. The public discussion of the early 1960s on the role of an artist in the
process of museum display design is considered. While listing and analysing museum innovations
during the ‘thaw’, the author pays special attention to the legalization of the activities of
Belarusian private collectors. The emergence of museum architecture as a material embodiment
of socio-cultural ideas about the museum is considered separately. The transformation
of Belarusian museums into a subject of international relations in 1953–1968 is presented as
an important new trend in their development. Appreciating the positive changes in the life of
museums during the ‘thaw’ period, the author points out that it was in those years that the
subordination of all activities of Belarusian museums to the tasks of glorifying Soviet society
at the expense of other historical periods was finally established at the normative level. All
areas of museum activities were filled with ideological content, which reflected the general
cultural policy, invariably pursued by the party leadership. The article significantly expands
the museological interpretation of the ‘thaw’ era and its role in the expansion, democratization,
and professionalization of museum activities.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

dc.subject

value: museum

value: Soviet Belarus

value: Communist party and state authorities

value: society

value: museum fund

value: display

value: branch

value: artist

value: collector


dc.contributor.author

value: Kazemi, Sajad

dc.identifier.citation

value: Kazemi S. 2021. Leader identification in a research collaborative network. Vestnik of Saint Petersburg University. Management 20 (1): 58–85.

dc.description.abstract

value:
There is considerable empirical evidence on the advantages of interorganizational research
collaborative networks across societies and research institutes such as research and development
(R&D) centers and universities. Identifying a leader in this contexts is important both theoretically
for doing leadership studies, and practically for effective governmental funding allocation
and private investments. Inconsistent definitions and non-homogeneous attributes with unidimensional
measurement approaches such as subjective measuring of power or considering a
central company as the leader made the previous efforts inefficient for identifying leaders in an
interorganizational setting. This research aims to identify a leading organization among a set of
homogenous R&D centers in a research collaborative network context through implementing the
main leader’s attributes in different dimensions. The article presents a multidimensional common
weight model based on the data envelopment analysis (DEA) approach in a parallel system
with several operational dimensions each of which consumes a set of inputs (budget, lecturers,
and students) to produce a set of outputs (scientific meetings and conferences, national and
international papers). Centrality and visibility are two main leaders’ attributes combined with
efficiency influence the contributions and outcomes of each collaborative network partner. It is
demonstrated how the proposed model performs its high-efficiency score in the most influential
R&D center named the “leader” among 47 R&D centers in medical universities in Iran. The
comparative analysis of managerial results showed that reputation has a greater impact on leader
identification than centrality. The results based on mathematical calculations showed a robust
discriminating power for efficiency measurement of the proposed model.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Management;Volume 20; Issue 1

dc.subject

value: research collaborative network

value: leader

value: data envelopment analysis

value: common weights

value: non-discretionary variables

value: efficiency

value: network centrality

value: reputation

dc.title

value: Article


dc.contributor.author

value: Kugusheva, Alexandra Yu.

dc.identifier.citation

value: Kugusheva А. Yu. 2021. The lost prewar collection of the Simferopol Art Gallery (1937– 1941). The Issues of Museology 12 (1): 28–34.

dc.description.abstract

value:
The article highlights the history of the prewar collection of the Simferopol Art Museum in
1937–1941 and notes the most important works of art lost. The events that accompanied the
loss of the collection during the Great Patriotic War were repeatedly covered by the museum
in publications. According to official data, during the evacuation in October 1941, the boxes
with the exhibits and the museum archive were transported to Kerch where they were burnt
during a fire in the port caused by the bombing of enemy aircraft. For many years, the museum’s
employees Galina I. Fedotova, Natalya D. Dyachenko and Natalya F. Grishchenko studied documents in the Simferopol, Moscow and St. Petersburg archives to restore the list of
exhibits from the prewar collection. The result of their work was an extensive “Catalog of the
values of the Simferopol Art Museum, lost during the Second World War” (2002), which is
presented in the documentary archive of the museum. The main sections of the permanent
exhibition of the prewar collection of the Simferopol Art Gallery are marked in the catalog.
This information is of great importance for Russian museum science: many items transferred
in 1937–1941 to the Simferopol collection were previously included in the funds of the State
Russian Museum, the Tretyakov Gallery, the Hermitage and other major museum collections.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

dc.subject

value: Simferopol Art Gallery

value: the Great Patriotic War

value: Galina I. Fedotova

value: Natalya D. Dyachenko

value: Natalya F. Grishchenko


dc.contributor.author

value: Duarte Cândido, Manuelina Maria

dc.identifier.citation

value: Duarte Cândido M. M. 2021. A matrix for museological diagnostics and planning. The Issues of Museology 12 (1): 4–12.

dc.description.abstract

value:
The article presents a theoretical discussion that provides support for the development of a
methodological tool to assess and plan the activities of museums or musealisation processes.
According to the author, a matrix for museological diagnostics, planning and management
should be used to create or renovate small or large, conventional or unconventional museums.
This work is the result of PhD research that produced a book already in its third edition in
Brazil. For the creation of the matrix, an attempt was made to identify the common aspects
among different types and museum models. The proposed concept includes a theoretical and
conceptual discussion, as well as the establishment of a museological structure or tool to justify
work in this field. These aspects will be discussed in this article, as well as the details of
their contributions to applied research in museology and to the qualification of museums. The
matrix resulting from this research can be used to not only carry out museological diagnostics
or institutional evaluations of existing museums, but also as a reference framework for the
creation of new museums and for musealization processes. In the article, significant attention
is given to clarifying the use of the terms used in the matrix in order to allow its interpretation
and application in a variety of cases based on precise museological thought. Thus, theory and
practice are concerned with understanding and using this matrix for museological diagnostics
and planning.

dc.language.iso

value: en

dc.publisher

value: St Petersburg State University

value: museological diagnostics

value: museums planning

value: museology

value: theory

value: practice


dc.contributor.author

value: Vakhromeeva, Oksana B.

dc.identifier.citation

value: Vakhromeeva O. B. 2021. The unfulfilled museum collection of works by G. S. Vereiskiy: The artist’s autobiography as a key to his creative heritage. The Issues of Museology, 12 (1): 94–107.

dc.description.abstract

value:
In 2021, the 135th anniversary of George Semenovich Vereiskiy (1886–1962) was celebrated.
Vereiskiy was a talented, methodical, and self-disciplined artist who focused on the subject of
his work. He was a member of the “World of Art” association, curator of the State Hermitage’s
Department of Engravings, teacher of painting, laureate of the second degree of the Stalin
Prize (1946), People’s Artist of the RSFSR (1962), honored worker of the arts, and member
of the Academy of Arts. Vereiskiy was involved in various forms of art, especially drawing
and painting. He worked in many genres (portrait, landscape, interior, still life, residential
and industrial genres). In his drawings and lithographs in the 1920–30s, he was a pioneer of
industrial themes. The main source of his work was love for Russian nature (his landscapes are
imbued with a soft lyricism). His clarity of perception of the surrounding reality and high civil
position enabled him to make the most important aspect of art — a portrait. Without exaggeration,
it can be argued that Vereiskiy for more than half a century created a large portrait
gallery of his contemporaries, from science and artists to the Knights of St. George from the
First World War and military officials of World War II (1941–1945). Vereiskiy’s artistic heritage
is very extensive and it is still waiting for its explorer. This article was created in order to
establish a precursor for the study of the artist’s creative heritage, fragmentarily concentrated
in a number of museum collections, which are discussed below. The reference point to the
artist’s creative heritage is his autobiography, which the article introduces into scientific circulation
for the first time.

dc.language.iso

value: ru

value: G. S. Vereiskiy

value: autobiography

value: graphics

value: painting

value: creativity

dc.type

value: Article


dc.contributor.author

value: Savitskaya, Tatyana E.

dc.identifier.citation

value: Savitskaya T. E. 2021. Museum as the basis of the “school”: Dusseldorf Art Gallery and the Dusseldorf school of painting. The Issues of Museology, 12 (1): 48–57.

dc.description.abstract

value:
The article demonstrates the influence of the Dusseldorf Art Gallery (1714–1805) on the formation
of the Dusseldorf school of painting — one of the leading European schools of the XIX
century. The history of the establishment and formation of the collection is briefly considered,
and the activities of the founder of the art gallery, Johann Wilhelm (1658–1716), as a reformer
of the museum business are characterized. The collection is analyzed, and a significant predominance
of works of the Dutch school is noted as its special feature. The author points out
that the gallery was primarily a learning center for artists studying at the Dusseldorf Academy
of Arts (1773). After Dusseldorf became a part of the Kingdom of Prussia, a new stage began
and the gallery was transformed into the Royal Academy of Arts. This happened in 1819,
which is officially considered the year when the Dusseldorf school of painting was born. It
is noted that the influence of the Dusseldorf school extended far beyond European borders,
including Russia and particularly Saratov where the artist A. P. Bogolyubov founded the Radishevsky
Museum. He came up with the idea of creating a museum while studying in Dusseldorf.
The example of the Dusseldorf Gallery demonstrates the importance of the museum
as a collection of samples, the basis for the emergence of the “school” in two meanings — an
educational institution and the development of an artistic tradition.

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

dc.subject

value: Dusseldorf Art Gallery

value: Dusseldorf school of painting

value: XVIII century

value: art collections

value: A. P. Bogolyubov

value: Saratov Art Museum


dc.contributor.author

value: Truneva, Liubov A.

value: Puzankov, Yurii V.

dc.identifier.citation

value: Truneva L. A., Puzankov Yu. V. 2021. Sources of acquisition of the collections of the Khorinsky District Museum of History and Local Lore. The Issues of Museology, 12 (1): 108–115.

dc.description.abstract

value:
The article is devoted to the history of the acquisition of collections of the Khorinsky District
Museum of History and Local Lore at various stages of its development, from its establishment
to the modern period of its activity. The Khorinsky District Museum of History and Local Lore
was founded on November 10, 1979. Its appearance testified to the economic and cultural development
of the Khorinsky district. The created museum has become one of the centers to spread
the district’s culture, accessible to the general population. Modern expositions of the museum
make it possible to trace the history of the Khorinsky district at all stages of its existence, covering,
among other things, the prehistoric era. Based on information from the inventory book,
as well as on the basis of their own memories, the authors reconstruct the sources of museum’s
collections after a fire occurred in the museum in December 1984. The damage turned out to
be so serious that only 22 items, mostly large-sized ones, such as carts, sledges, and a lathe, were
preserved. The restoration work in the museum was carried out under the leadership of director
Innokenty Yakovlevich Trunev, whose active work made it possible to practically re-form
the museum’s collections. The authors of the article describe in detail the goals pursued by the
donors and creators of the items given to the museum. Most of the exhibits were collected as a
result of trips. A significant source for the museum’s collections was the result of local residents
donating items. Items were handed over to the museum that appear both simple, at first glance,
from every day use and unique items, family heirlooms. The republic’s (Buryatia) museums rendered
great support in the formation of the museum’s collections. A significant number of items
were found as a result of scientific expeditions and subsequently transferred to the museum.

dc.language.iso

value: ru

dc.publisher

value: St Petersburg State University

dc.subject

value: museum

value: history

value: museum item

value: culture

value: everyday life

value: exhibits

value: acquisition

value: museum collections


dc.contributor.author

value: Wang, Yu

value: Liao, Zhengding

dc.identifier.citation

value: Wang Yu, Liao Zhengding. 2021. Porcelain interior plastic of the 1950s in museums and private collections in China. The Issues of Museology, 12 (1): 58–67.

dc.description.abstract

value:
In the two decades since the establishment of the people’s Republic of China, the challenges
facing porcelain production have changed significantly. Porcelain production is one of the
most important and oldest traditions in China. In the 1950s, porcelain craftsmen became
involved in the creation of new forms of interior plastics. Many of the pieces they created are
now part of museum collections and represent the history of the development of Chinese
interior porcelain. Using the example of three museums and three reference monuments, the
article examines the key trends in the development of porcelain art and stylistic changes that
occurred during this period. The following museums have been selected as examples to showcase
the specifics of Chinese porcelain art from this period: the China Ceramic and Porcelain
Museum located in Jingdezhen City, which is the country’s first major art museum specializing
in ceramics; the Chinese Fine Arts Museum in Beijing, which specializes in collecting,
researching and displaying works of Chinese artists of modern and contemporary eras; and
the Guangdong Folk Art Museum, which specializes in collecting, researching and displaying
Chinese folk art. All of these museums are engaged in collecting porcelain, including interior
porcelain plastics from the mid-20th century. In the collections of the aforementioned museums,
three works were selected for analysis. These are three paired compositions created in the second half of the 1950s: the sculpture “An Old Man and a Child with a Peach” by Zeng
Longsheng, “Good Aunt from the Commune” by Zhou Guozhen and “Fifteen coins. The rat
case” by Lin Hongxi. These porcelain compositions reveal close relations with Chinese national
culture and not only reflect various scenes, but are also aimed at expanding the role of
porcelain in decorating residential interiors.

dc.relation.ispartofseries

value: The Issues of Museology;Volume 12; Issue 1

dc.subject

value: the history of porcelain

value: porcelain collection

value: porcelain plastics

value: interior plastics

value: Chinese porcelain

value: museums’ collections

dc.title

value: Article


dc.contributor.author

value: Sayaparova, Ekaterina V.

dc.identifier.citation

value: Sayaparova E. V. 2021. The museum space of the university as a socio-cultural factor in the development of the student community. The Issues of Museology, 12 (1): 80–87.

dc.description.abstract

value:
The article discusses the need for the formation of a museum space in universities. The university
museum, functioning in the structure of an educational institution, acquires features of
the traditionally established characteristics of cultural and educational institutions, which for
centuries have been carrying out the process of transferring knowledge and skills, experience
and elements of human culture. The revitalization of museum activities is one of the factors
contributing to the development of the scientific, and cultural, creative potential of students. The study of domestic science, history, culture, and art on the basis of museums as well as
museum and exhibition centers are not only of great educational and educational value, but
also has a tremendous impact and emotional impact on the emerging personality of students.
Being an integral component in the system of training students of any university, the museum
is a center that brings together student interests. The university museum not only fulfills its
traditional functions of preserving the historical and cultural heritage, but it is also the most
important tool for the socialization of students. As a center for educational, scientific, and cultural
work, the museum acts as a base for students to carry out various projects and other activities.
Creative, research, educational groups and associations, conducting their work on the
basis of the museum, allow students to fulfill their own potential in various fields of activity.
The actualization of the museum in the role of forming a single student space is also facilitated
by holding events of various profiles on the basis of museum expositions. Thus, the university
museum is an important element not only of the learning process, but also of educational
activity, contributing to the process of integrating students into the educational space of the
university, and strengthening the student community.

dc.language.iso

value: ru

dc.publisher

value: St Petersburg State University

dc.subject

value: museums of universities

value: student community

value: creativity

value: education

value: cultural and educational work

value: upbringing


dc.contributor.author

value: Kluiko, Dmitry A.

value: Korik, Vladimir E.

value: Sivets, Alexey N.

dc.identifier.citation

value: Kluiko D. A., Korik V. E., Sivets A. N. Abdominal adhesions: Surgical treatment and prevention (literature review). Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 43–49.

dc.description.abstract

value:
The ongoing discussion on the diagnosis and tactics of surgical treatment of painful forms of
adhesions of the abdominal cavity and adhesive intestinal obstruction testifies to the persistent
urgency of this problem. The presence of a postoperative scar and recurrent abdominal
pain are interpreted by surgeons and gastroenterologists as adhesive disease, with the appointment
of the same type of treatment. At the same time, patients have a reduced critical attitude
to their condition, which leads them to late seeking medical help. For the occurrence of the
adhesion process, a long-term effect of a complex of factors is necessary, an important place
among which is blood supply, oxygen access to tissues and peristalsis in the early postoperative
period. The most effective methods of treatment and prevention of intestinal obstruction
are low-traumatic surgical technologies. There was no statistically significant difference between
open and laparoscopic adhesiolysis in the number of intraoperative intestinal injuries,
wound infections and mortality. Laparoscopic operations have fewer general and pulmonary
complications than open ones. Reducing fibroblast proliferation, minimizing hypoxia and inflammation
are a new preventive solution to the problem of adhesion formation.

dc.language.iso

value: en

dc.relation.ispartofseries

value: Vestnik of St Petersburg University. Medicine;Volume 16; Issue 1

value: adhesive disease of the abdominal cavity

value: diagnosis

value: treatment

value: laparoscopy

value: adhesiolysis


dc.contributor.author

value: Glushkov, Nikolay I.

value: Gorshenin, Timofey L.

value: Privalova, Mariya A.

value: Dulaeva, Sabina S.

value: Gugalev, Grigoriy S.

dc.identifier.citation

value: Glushkov N. I., Gorshenin T. L., Privalova М. А., Gugalev G. S., Dulaeva S. K. Postoperative cognitive dysfunction in patients of the elderly and old age operated for composition of objective cancer. Vestnik of Saint Petersburg University. Medicine, 2021, vol. 16, issue 1, pp. 37–42.

dc.description.abstract

value:
The problem of preserving the quality of life in the postoperative period, one of the criteria
of which is the cognitive function, retains its relevance. In patients with advanced and senile
age, after undergoing surgery, cognitive disorders are swept aside, which, according to various
authors, reaches 64 %. Postoperative cognitive dysfunction was studied in 168 elderly and
elderly patients operated on for complications of colon cancer. Patients were divided into two
groups. Patients of the control group were operated on operations conventionally, the main
one — laparoscopically, using endovideosurgical technologies. Cognitive status was assessed
before the operation, as well as on the first, third and seventh days of the postoperative period
using the MMSE test (abbr. English Mini Mental State Examination). The incidence of postoperative
cognitive dysfunction in both groups was traced. In the development of postoperative
cognitive disorders, along with such factors as general anesthesia, age, aggravated neurological
history, depressive disorders, operative trauma plays an important role. The use of endoscopic
technologies allows reliably reducing the risk of postoperative cognitive impairment, which in
turn has a beneficial effect on the postoperative period.

dc.publisher

value: St Petersburg State University

value: colon cancer

value: cognitive dysfunction

value: surgical treatment

value: postoperative period

value: elderly and old age

dc.type

value: Article


dc.contributor.author

value: Shagalkina, M. V.

value: Telov, V. V.

value: Latukha, M. O.

value: Panibratov, A. Yu.

dc.identifier.citation

value: Shagalkina M. V., Telov V. V., Latukha M. O., Panibratov A. Yu. 2021. The determinants of returnees’ decision to come back to Russia. Russian Management Journal 19 (1): 97–116.

dc.description.abstract

value:
The article examines the determinants of the returnees’ decision to come back to Russia. Returnees
from developed countries possess high levels of both human and social capital which allow them to
contribute to the organizational outcomes of the emerging market firms. Moreover, researchers
consider the influx of returnees to developing countries as a solution to the brain drain. Russia is
experiencing brain drain as the highly skilled specialists’ outflow from the country exceeds their
inflow. However, there is lack of studies examining returnees in the Russian context. Using a sample
of 90 returnees from developed countries working in Russia, we found that career opportunities
and expectations of high wages in Russia, as well as family reasons have the greatest impact on
returnees’ decision to come back to Russia. Talent management practices aimed at attraction, development
and retention of returnees, appeared to have a significant influence on the respondents’
decision to return and find employment in a Russian company. At the same time, upon their return,
the returnees experienced difficulties in finding a job and a salary adequate to their experience and
knowledge. It turns out that companies in Russia do not fully appreciate knowledge and experience
that returnees have and the contribution they can make to the development of the company. The
research results have both theoretical and practical significance for the development of migration
policies and practices at the country and firm levels.

dc.language.iso

value: ru

dc.relation.ispartofseries

value: Russian Management Journal;Volume 19; Issue 1

dc.subject

value: returnees

value: brain drain

value: brain circulation

value: human capital

value: social capital

value: talent management

value: migration policy

value: Russia